Like any “tragic flaw”, Raskolnikov’s excessive hubris eventually
leads to his downfall. One of the deeper consequences due to his pride is the
isolation that Raskolnikov subjects himself to. He has effectively driven away
the “beloved’’ in his life. Only Sonja seems to still believe in him, and that
is only on the promise of his surrender. Once boastful and sure of himself,
Raskolnikov now lives in constant paranoia and fear of his imminent capture. It is fairly ironic that such a prideful man
has morphed into the weaker individual; exactly the type of man he despises.
His rejection of support has led him to a diminished state.
“Dreams are the royal roads to the unconscious.” Famed
psychoanalyst Sigmund Freud is noted for the importance he placed on dreams. If
one were to apply Freud’s methods to Raskolnikov, then Raskolnikov’s complex
character could be deciphered. The reader greets and says Farwell to
Raskolnikov with his first and last dream. The two trances contrast the
differences in mind set as time goes on. In the prison infirmary, Raskolnikov dreamt of
an apocalyptic world where a plague swept across the nations. A select few are
able to survive while the majority of the world parish at the hands of this
infection. Superficially, one could say that the survivors represent the
superior men that deserve and have found a way to survive amongst filth. But
the countless deaths that occur also symbolize the repressed guilt that is only
shown unconsciously, for Raskolnikov’s pride masks any remorse while awake. Raskolnikov could easily be transferring himself
as the actual illness. It is men like himself that infects society and kills
those that are weaker. It is interesting
to note that Raskolnikov never gives an explicit reason for his so called superiority.
It is simply that he is born so gifted.
The lack of explanation could be an actual ignorance. Raskolnikov himself has
no explanation but his pride does not allow him to think of such a thing.
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